“London-based artist Emma McNally charts the astronomical, the anatomical, the topographical, and the topological. Recent selections from her ongoing drawing series “Choral Fields,” 2014–, are on view in the group show “MIRRORCITY” at the Hayward Gallery in London through January 4, 2015. Here, the artist talks about her inspirations and what pencil portends for paper.”
Somebody in this article about Emma wrote about her artworks “fugitive, heterogeneous gray areas.” (nice new words btw). I’m not a big fan of abstract lines , but when I saw it for the first time I thought is romantic ? Like stars. In my room, there is always astronomy map of sky and definitely, I loved Emma artworks.
What Emma said about her art as told to Himali Singh Join:
“I mine all sorts of ways of thinking visually about space and time: the spiral paths of particles in bubble chambers, which are infinitely fast and small; images of cellular mitochondria; the Hubble Deep Field images that probe deep time, where all time is held in the surface of the image but can’t be reached. I like looking at images that show fleeting events and images of aerial views of cities at night—all the emergent formations at a macro scale that look like deep-sea organisms in the dark water. I also love aerial images of airports, both in use and obsolete, as well as the Nazca Lines.
I constantly listen to sound when I draw—the white noise of rainfall; field recordings from all environments; the humming and buzzing of Francisco López’s album Buildings [New York]; the transmissions from the hydrophones under the Antarctic ice, streamed live on the Internet; as well as all kinds of music. I try to attend as closely as possible to the sound, and to transcribe the rhythms into the drawing, to make a sort of seismograph. Marks that are suggestive of the airborne or the sub-oceanic, for example, can come into relation with marks, lines, traces, and paths suggestive of circuitry, telecommunications, Morse code, molecules, stars, shoals, electronic pulses, particles, networks. These sorts of “readings” are at the center of my drawings.”
What a wicked woman!